Anyway, the party was going pretty well and i kept the costume on for what i consider a heroically long time. Later on, about 30 people all seemed to turn up at once, most of whom weren't making any attempt to wear a costume, and the vibe started shifting from "Noah's Ark theme" to "regular house party with a fucking weird guy standing around wearing a sack". It was like Keith Richards in the 70s getting a complete change of blood or something. i finally bailed after most of the animals removed their face paint and i started getting the stinkeye from more people who had arrived and who apparently had no idea there even was a fancy dress theme.
But anyway, i digress a bit. Part of the crew-of-30 that arrived later included one guy who took to the decks, threw out all the Serious Bro Music For Serious Bro Parties soundtrack (= drum'n'bass, pretty much) that had prevailed before (a welcome relief for me, cuz honestly that shit bores me beyond death) and instead starting throwing on wedding party anthems like Hall & Oates' "Maneater" and Bobby Brown's "Two Can Play at That Game". One thing he dropped early on in his set was today's SOTD. i'm pretty sure when this came out i found it pretty annoying, but hearing it again i'd forgotten what a good pop record it is, despite the duo behind it doing that annoying thing where their artist name is taken from their obvious musical or personal 'selling point' (c.f. Gangstagrass; Drums and Tuba; Buke and Gass; every shit dance troupe or boy/girl group on Britain's Got Talent).
i've always liked the skipping rhythm patterns of UK garage and the way that they manage to be swinging yet urgent at the same time, added to which "Flowers"' technique of micro-cut vocal samples only seems to have got more relevant over time. Basically, a great pop tune. And, pleasingly, it turns out Sweet Female Attitude were from Stockport! Result. Now, if you'll excuse me a contrived Bill Brysonesque ending, i'ma go and listen to last.fm's UK garage station for more turn-of-the-millennium action.