Brooklyn-based video artist and semiotician Michael Bell-Smith took advantage of the fact that each installment of celebrity micturator R. Kelly's bizarre R'n'B opera uses the same beat and mixed down all the extant episodes (at the time, there were twelve) into one hyperdense, abstract expressionist, over-Kellied morass.
For me the best bit is at 2:45, when the heavy snare drops and suddenly you have 12 incredibly animated R. Kellys all screaming at each other.
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